{"id":116,"date":"2025-07-24T15:54:37","date_gmt":"2025-07-24T15:54:37","guid":{"rendered":"https:\/\/instruction.austincc.edu\/adobe\/?page_id=116"},"modified":"2026-02-11T21:27:46","modified_gmt":"2026-02-11T21:27:46","slug":"adobe-required-courses","status":"publish","type":"page","link":"https:\/\/instruction.austincc.edu\/adobe\/adobe-required-courses\/","title":{"rendered":"Adobe-Required Courses"},"content":{"rendered":"\n\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
Prefix<\/td>\n Course Number<\/td>\n Course Title<\/td>\n <\/tr>\n <\/thead>\n
ABDR<\/td>\n 1301<\/td>\n Auto Body Repair & Repainting<\/td>\n <\/tr>\n
ABDR<\/td>\n 1307<\/td>\n Auto Body Welding<\/td>\n <\/tr>\n
ABDR<\/td>\n 1315<\/td>\n Vehicle Trim & Hardware<\/td>\n <\/tr>\n
ABDR<\/td>\n 1419<\/td>\n Basic Metal Repair<\/td>\n <\/tr>\n
ABDR<\/td>\n 1431<\/td>\n Basic Refinishing<\/td>\n <\/tr>\n
ABDR<\/td>\n 1441<\/td>\n Structural Analysis & Damage Repair I<\/td>\n <\/tr>\n
ABDR<\/td>\n 1442<\/td>\n Structural Analysis & Damage Repair II<\/td>\n <\/tr>\n
ABDR<\/td>\n 1449<\/td>\n Automotive Plastic and Sheet Molded Compound Repair<\/td>\n <\/tr>\n
ABDR<\/td>\n 1458<\/td>\n Intermediate Refinishing<\/td>\n <\/tr>\n
ABDR<\/td>\n 2357<\/td>\n Collision Repair Shop Management<\/td>\n <\/tr>\n
ABDR<\/td>\n 2447<\/td>\n Advanced Collision Repair Welding<\/td>\n <\/tr>\n
ABDR<\/td>\n 2449<\/td>\n Advanced Refinishing<\/td>\n <\/tr>\n
ABDR<\/td>\n 2451<\/td>\n Specialized Refinishing Techniques<\/td>\n <\/tr>\n
ABDR<\/td>\n 2453<\/td>\n Color Analysis & Paint Matching<\/td>\n <\/tr>\n
ABDR<\/td>\n 2489<\/td>\n Internship – Autobody\/Collision Repair Technology\/Technician<\/td>\n <\/tr>\n
ARCE<\/td>\n 1452<\/td>\n Structural Drafting<\/td>\n <\/tr>\n
ARCE<\/td>\n 2352<\/td>\n Mechanical, Electrical & Plumbing (MEP) Systems<\/td>\n <\/tr>\n
ARCH<\/td>\n 1301<\/td>\n Architectural History I<\/td>\n <\/tr>\n
ARCH<\/td>\n 1302<\/td>\n Architectural History II<\/td>\n <\/tr>\n
ARCH<\/td>\n 1303<\/td>\n Architectural Design I<\/td>\n <\/tr>\n
ARCH<\/td>\n 1304<\/td>\n Architectural Design II<\/td>\n <\/tr>\n
ARCH<\/td>\n 1307<\/td>\n Architectural Graphics I<\/td>\n <\/tr>\n
ARCH<\/td>\n 1308<\/td>\n Architectural Graphics II<\/td>\n <\/tr>\n
ARCH<\/td>\n 1311<\/td>\n Introduction to Architecture<\/td>\n <\/tr>\n
ARTC<\/td>\n 1302<\/td>\n Digital Imaging I<\/td>\n <\/tr>\n
ARTC<\/td>\n 1305<\/td>\n Basic Graphic Design<\/td>\n <\/tr>\n
ARTC<\/td>\n 1310<\/td>\n Design Concepts<\/td>\n <\/tr>\n
ARTC<\/td>\n 1313<\/td>\n Digital Publishing I<\/td>\n <\/tr>\n
ARTC<\/td>\n 1317<\/td>\n Design Communication I<\/td>\n <\/tr>\n
ARTC<\/td>\n 1327<\/td>\n Typography<\/td>\n <\/tr>\n
ARTC<\/td>\n 1375<\/td>\n Typography for Digital Media<\/td>\n <\/tr>\n
ARTC<\/td>\n 1379<\/td>\n Design for Screens<\/td>\n <\/tr>\n
ARTC<\/td>\n 2270<\/td>\n Portfolio Development<\/td>\n <\/tr>\n
ARTC<\/td>\n 2289<\/td>\n Internship – Graphic Design<\/td>\n <\/tr>\n
ARTC<\/td>\n 2305<\/td>\n Digital Imaging II<\/td>\n <\/tr>\n
ARTC<\/td>\n 2313<\/td>\n Digital Publishing II<\/td>\n <\/tr>\n
ARTC<\/td>\n 2317<\/td>\n Typographic Design<\/td>\n <\/tr>\n
ARTC<\/td>\n 2335<\/td>\n Portfolio Development for Graphic Design<\/td>\n <\/tr>\n
ARTC<\/td>\n 2347<\/td>\n Design Communication II<\/td>\n <\/tr>\n
ARTC<\/td>\n 2348<\/td>\n Digital Publising III<\/td>\n <\/tr>\n
ARTC<\/td>\n 2373<\/td>\n Design Studio I<\/td>\n <\/tr>\n
ARTC<\/td>\n 2376<\/td>\n Visual Design for Digital Media<\/td>\n <\/tr>\n
ARTC<\/td>\n 2377<\/td>\n Design Studio II<\/td>\n <\/tr>\n
ARTS<\/td>\n 1301<\/td>\n Art Appreciation<\/td>\n <\/tr>\n
ARTS<\/td>\n 1303<\/td>\n Art History I (Prehistoric to the 14th Century)<\/td>\n <\/tr>\n
ARTS<\/td>\n 1304<\/td>\n Art History II (14th Century to the Present)<\/td>\n <\/tr>\n
ARTS<\/td>\n 1311<\/td>\n Two-Dimensional Design (Design I)<\/td>\n <\/tr>\n
ARTS<\/td>\n 1312<\/td>\n Three-Dimensional Design (Design II)<\/td>\n <\/tr>\n
ARTS<\/td>\n 1316<\/td>\n Drawing I<\/td>\n <\/tr>\n
ARTS<\/td>\n 1317<\/td>\n Drawing II<\/td>\n <\/tr>\n
ARTS<\/td>\n 2311<\/td>\n Color Theory (Design II(I)<\/td>\n <\/tr>\n
ARTS<\/td>\n 2316<\/td>\n Painting I<\/td>\n <\/tr>\n
ARTS<\/td>\n 2317<\/td>\n Painting II<\/td>\n <\/tr>\n
ARTS<\/td>\n 2323<\/td>\n Life Drawing I<\/td>\n <\/tr>\n
ARTS<\/td>\n 2326<\/td>\n Sculpture I<\/td>\n <\/tr>\n
ARTS<\/td>\n 2333<\/td>\n Printmaking I<\/td>\n <\/tr>\n
ARTS<\/td>\n 2346<\/td>\n Ceramics I<\/td>\n <\/tr>\n
ARTS<\/td>\n 2347<\/td>\n Ceramics II<\/td>\n <\/tr>\n
ARTS<\/td>\n 2348<\/td>\n Digital Media<\/td>\n <\/tr>\n
ARTS<\/td>\n 2356<\/td>\n Photography I<\/td>\n <\/tr>\n
ARTS<\/td>\n 2389<\/td>\n Academic Cooperative<\/td>\n <\/tr>\n
ARTV<\/td>\n 1211<\/td>\n Storyboard<\/td>\n <\/tr>\n
ARTV<\/td>\n 1373<\/td>\n Drawing for Animation<\/td>\n <\/tr>\n
ARTV<\/td>\n 1377<\/td>\n Stop Motion Animation<\/td>\n <\/tr>\n
ARTV<\/td>\n 1378<\/td>\n Advanced Animation<\/td>\n <\/tr>\n
ARTV<\/td>\n 1379<\/td>\n Digital Painting & Background Design<\/td>\n <\/tr>\n
ARTV<\/td>\n 1402<\/td>\n Introduction to Technical Animation & Rendering<\/td>\n <\/tr>\n
ARTV<\/td>\n 1403<\/td>\n Basic Animation<\/td>\n <\/tr>\n
ARTV<\/td>\n 1441<\/td>\n 3D Animation I<\/td>\n <\/tr>\n
ARTV<\/td>\n 1445<\/td>\n 3D Modeling & Rendering I<\/td>\n <\/tr>\n
ARTV<\/td>\n 1479<\/td>\n 3D Animation Pre-Production<\/td>\n <\/tr>\n
ARTV<\/td>\n 1491<\/td>\n \n Special Topics in Visual Performing Arts: Advanced Character Rigging\n & Animation\n <\/td>\n <\/tr>\n
ARTV<\/td>\n 2271<\/td>\n Portfolio Workshop<\/td>\n <\/tr>\n
ARTV<\/td>\n 2370<\/td>\n Digital Animation Techniques<\/td>\n <\/tr>\n
ARTV<\/td>\n 2371<\/td>\n Introduction to Character Art<\/td>\n <\/tr>\n
ARTV<\/td>\n 2372<\/td>\n Digital Animation Techniques III<\/td>\n <\/tr>\n
ARTV<\/td>\n 2373<\/td>\n Character Design for 2D Animation<\/td>\n <\/tr>\n
ARTV<\/td>\n 2374<\/td>\n Advanced Animation II<\/td>\n <\/tr>\n
ARTV<\/td>\n 2375<\/td>\n 3D Modeling & Rendering III<\/td>\n <\/tr>\n
ARTV<\/td>\n 2376<\/td>\n Digital Animation Techniques II<\/td>\n <\/tr>\n
ARTV<\/td>\n 2377<\/td>\n 3D Animation III<\/td>\n <\/tr>\n
ARTV<\/td>\n 2378<\/td>\n Game Animation<\/td>\n <\/tr>\n
ARTV<\/td>\n 2379<\/td>\n 3D Animation IV<\/td>\n <\/tr>\n
ARTV<\/td>\n 2401<\/td>\n 2D Animation I<\/td>\n <\/tr>\n
ARTV<\/td>\n 2430<\/td>\n 2D Animation II<\/td>\n <\/tr>\n
ARTV<\/td>\n 2445<\/td>\n 3D Modeling & Rendering II<\/td>\n <\/tr>\n
ARTV<\/td>\n 2451<\/td>\n 3D Animation II<\/td>\n <\/tr>\n
ARTV<\/td>\n 2455<\/td>\n Character Rigging & Animation<\/td>\n <\/tr>\n
COMM<\/td>\n 1316<\/td>\n News Photography I<\/td>\n <\/tr>\n
COMM<\/td>\n 1335<\/td>\n Introduction to Radio-Television-Film<\/td>\n <\/tr>\n
COMM<\/td>\n 1336<\/td>\n Video Production I<\/td>\n <\/tr>\n
COMM<\/td>\n 1337<\/td>\n Video Production II<\/td>\n <\/tr>\n
COMM<\/td>\n 2300<\/td>\n Media Literacy<\/td>\n <\/tr>\n
COMM<\/td>\n 2303<\/td>\n Audio Production<\/td>\n <\/tr>\n
COMM<\/td>\n 2311<\/td>\n News Reporting I<\/td>\n <\/tr>\n
COMM<\/td>\n 2324<\/td>\n Practicum in Electronic Media<\/td>\n <\/tr>\n
COMM<\/td>\n 2331<\/td>\n TV & Radio Announcing<\/td>\n <\/tr>\n
COMM<\/td>\n 2339<\/td>\n Writing for Radio, Television, Film<\/td>\n <\/tr>\n
COMM<\/td>\n 2366<\/td>\n Introduction to Cinema<\/td>\n <\/tr>\n
DANC<\/td>\n 2289<\/td>\n Academic Cooperative in Dance Production<\/td>\n <\/tr>\n
DFTG<\/td>\n 1405<\/td>\n Introduction to Technical Drawing<\/td>\n <\/tr>\n
DFTG<\/td>\n 1417<\/td>\n Architectural Drafting – Residental<\/td>\n <\/tr>\n
DFTG<\/td>\n 1429<\/td>\n Electro-Mechanical Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 1430<\/td>\n Civil Drafting I<\/td>\n <\/tr>\n
DFTG<\/td>\n 1433<\/td>\n Mechanical Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 1458<\/td>\n Electrical\/Electronic Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 1470<\/td>\n Drafting for Stormwater Management<\/td>\n <\/tr>\n
DFTG<\/td>\n 1472<\/td>\n Civil Design Visualization<\/td>\n <\/tr>\n
DFTG<\/td>\n 1491<\/td>\n \n Special Topics in Drafting & Design Technology\/Technician, General\n <\/td>\n <\/tr>\n
DFTG<\/td>\n 1494<\/td>\n Special Topics in Electrical\/Electronics Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 2402<\/td>\n Machine Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 2405<\/td>\n Printed Circuit Board Design<\/td>\n <\/tr>\n
DFTG<\/td>\n 2413<\/td>\n Basic Integrated Circuit Design<\/td>\n <\/tr>\n
DFTG<\/td>\n 2419<\/td>\n Intermediate Computer-Aided Design<\/td>\n <\/tr>\n
DFTG<\/td>\n 2421<\/td>\n Topographical Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 2428<\/td>\n Architectural Drafting – Commercial<\/td>\n <\/tr>\n
DFTG<\/td>\n 2431<\/td>\n Advanced Technologies in Architectural Design & Drafting<\/td>\n <\/tr>\n
DFTG<\/td>\n 2433<\/td>\n Advanced Integrated Circuit Design<\/td>\n <\/tr>\n
DFTG<\/td>\n 2440<\/td>\n Solid Modeling\/Design<\/td>\n <\/tr>\n
DFTG<\/td>\n 2475<\/td>\n Water & Wastewater Drafting<\/td>\n <\/tr>\n
DRAM<\/td>\n 1120<\/td>\n Theater Practicum I<\/td>\n <\/tr>\n
DRAM<\/td>\n 1121<\/td>\n Theater Practicum II<\/td>\n <\/tr>\n
DRAM<\/td>\n 1330<\/td>\n Stagecraft<\/td>\n <\/tr>\n
DRAM<\/td>\n 1341<\/td>\n Stage Make-Up<\/td>\n <\/tr>\n
DRAM<\/td>\n 1342<\/td>\n Costume Technology<\/td>\n <\/tr>\n
DRAM<\/td>\n 1351<\/td>\n Acting I<\/td>\n <\/tr>\n
DRAM<\/td>\n 1352<\/td>\n Acting II<\/td>\n <\/tr>\n
DRAM<\/td>\n 2120<\/td>\n Theater Practicum I<\/td>\n <\/tr>\n
DRAM<\/td>\n 2121<\/td>\n Theater Practicum II<\/td>\n <\/tr>\n
DRAM<\/td>\n 2289<\/td>\n Academic Cooperative in Production Management<\/td>\n <\/tr>\n
DRAM<\/td>\n 2331<\/td>\n Stagecraft II<\/td>\n <\/tr>\n
DRAM<\/td>\n 2336<\/td>\n Voice for the Actor<\/td>\n <\/tr>\n
DRAM<\/td>\n 2389<\/td>\n Academic Cooperative in Production Management<\/td>\n <\/tr>\n DRTE<\/td>\n 1370<\/td>\n Introduction to Stage Management<\/td>\n <\/tr>\n
DRTE<\/td>\n 1372<\/td>\n Introduction to Lightning Technology<\/td>\n <\/tr>\n
DRTE<\/td>\n 1373<\/td>\n Introduction to Sewing Construction<\/td>\n <\/tr>\n
DRTE<\/td>\n 1374<\/td>\n WIG Construction & Styling<\/td>\n <\/tr>\n
DRTE<\/td>\n 1375<\/td>\n \n Special Topics in Professional Tools for Entertainment Technicians\n <\/td>\n <\/tr>\n
DRTE<\/td>\n 1376<\/td>\n History of Technical Theater<\/td>\n <\/tr>\n
DRTE<\/td>\n 1378<\/td>\n Introduction to Collaborative Design<\/td>\n <\/tr>\n
DRTE<\/td>\n 1379<\/td>\n Technical Production I<\/td>\n <\/tr>\n
DRTE<\/td>\n 2371<\/td>\n Introduction to Scenic Design<\/td>\n <\/tr>\n
DRTE<\/td>\n 2372<\/td>\n Introduction to Lightning Design<\/td>\n <\/tr>\n
DRTE<\/td>\n 2374<\/td>\n Character Makeup & Special Effects<\/td>\n <\/tr>\n
DRTE<\/td>\n 2378<\/td>\n Textiles and Crafts<\/td>\n <\/tr>\n
DRTE<\/td>\n 2379<\/td>\n Technical Production II<\/td>\n <\/tr>\n
ENGL<\/td>\n 1301<\/td>\n English Composition I<\/td>\n <\/tr>\n
ENGL<\/td>\n 1302<\/td>\n English Composition II<\/td>\n <\/tr>\n
ENGL<\/td>\n 2307<\/td>\n Beginning Creative Writing<\/td>\n <\/tr>\n
ETWR<\/td>\n 1374<\/td>\n Graphics for Business, Government, & Technical Information<\/td>\n <\/tr>\n
ETWR<\/td>\n 1379<\/td>\n Technical Communicators: Careers & Professionalism<\/td>\n <\/tr>\n
ETWR<\/td>\n 1471<\/td>\n Social Media Tools I: Design & Implementation<\/td>\n <\/tr>\n
ETWR<\/td>\n 2077<\/td>\n Multimedia for Technical Communications Management<\/td>\n <\/tr>\n
ETWR<\/td>\n 2374<\/td>\n Online Help & Help-Authoring Tools<\/td>\n <\/tr>\n
ETWR<\/td>\n 2470<\/td>\n Multimedia for Technical Communication<\/td>\n <\/tr>\n
ETWR<\/td>\n 2472<\/td>\n Technical Communication with Digital Publishing Systems<\/td>\n <\/tr>\n
FLMC<\/td>\n 1304<\/td>\n Lighting for Film or Video<\/td>\n <\/tr>\n
FLMC<\/td>\n 2308<\/td>\n Film Business & Marketing<\/td>\n <\/tr>\n
FLMC<\/td>\n 2310<\/td>\n Film-Style Production<\/td>\n <\/tr>\n
FLMC<\/td>\n 2334<\/td>\n Directing for Film or Video<\/td>\n <\/tr>\n
FLMC<\/td>\n 2335<\/td>\n Screenwriting for Features, Shorts, & Documentaries<\/td>\n <\/tr>\n
FLMC<\/td>\n 2336<\/td>\n Production Development – Producing<\/td>\n <\/tr>\n
FLMC<\/td>\n 2344<\/td>\n Advanced Film & Video Editing<\/td>\n <\/tr>\n
FSHD<\/td>\n 1046<\/td>\n Fashion Illustration Media<\/td>\n <\/tr>\n
FSHD<\/td>\n 1055<\/td>\n Flat Pattern Design II<\/td>\n <\/tr>\n
FSHD<\/td>\n 1318<\/td>\n Apparel Computer Systems<\/td>\n <\/tr>\n
FSHD<\/td>\n 1322<\/td>\n Fashion Sketching<\/td>\n <\/tr>\n
FSHD<\/td>\n 1346<\/td>\n Fashion Illustration Media<\/td>\n <\/tr>\n
FSHD<\/td>\n 1355<\/td>\n Flat Pattern Design II<\/td>\n <\/tr>\n
FSHD<\/td>\n 2306<\/td>\n Draping<\/td>\n <\/tr>\n
FSHD<\/td>\n 2343<\/td>\n Fashion Collection Design<\/td>\n <\/tr>\n
FSHD<\/td>\n 2344<\/td>\n Fashion Collection Production<\/td>\n <\/tr>\n
FSHD<\/td>\n 2006<\/td>\n Draping<\/td>\n <\/tr>\n
FSHD<\/td>\n 1022<\/td>\n Fashion Sketching<\/td>\n <\/tr>\n
GAME<\/td>\n 1270<\/td>\n Introduction to Game Design & Development<\/td>\n <\/tr>\n
GAME<\/td>\n 1304<\/td>\n Level Design<\/td>\n <\/tr>\n
GAME<\/td>\n 1334<\/td>\n Video Game Art I<\/td>\n <\/tr>\n
GAME<\/td>\n 1371<\/td>\n Coding Basics for Designers<\/td>\n <\/tr>\n
GAME<\/td>\n 1377<\/td>\n Scripting for Game Developers<\/td>\n <\/tr>\n
GAME<\/td>\n 1406<\/td>\n Design & Creation of Games<\/td>\n <\/tr>\n
GAME<\/td>\n 1472<\/td>\n Design & Creation of Games II<\/td>\n <\/tr>\n
GAME<\/td>\n 1475<\/td>\n 2D Design for Games<\/td>\n <\/tr>\n
GAME<\/td>\n 2270<\/td>\n Portfolio Development for Game Art<\/td>\n <\/tr>\n
GAME<\/td>\n 2308<\/td>\n Portfolio for Game Development<\/td>\n <\/tr>\n
GAME<\/td>\n 2309<\/td>\n Video Game Art III<\/td>\n <\/tr>\n
GAME<\/td>\n 2338<\/td>\n Game Testing<\/td>\n <\/tr>\n
GAME<\/td>\n 2371<\/td>\n Design & Creation of Games III<\/td>\n <\/tr>\n
GAME<\/td>\n 2376<\/td>\n Video Game Production<\/td>\n <\/tr>\n
GAME<\/td>\n 2378<\/td>\n Video Game Art III<\/td>\n <\/tr>\n
GISC<\/td>\n 1411<\/td>\n Introduction to Geographic Information Systems (GIS)<\/td>\n <\/tr>\n
GISC<\/td>\n 1421<\/td>\n Introduction to Raster-Based Geographic Information Systems (GIS)<\/td>\n <\/tr>\n
GISC<\/td>\n 1479<\/td>\n Introduction to Geospatial Data<\/td>\n <\/tr>\n
GISC<\/td>\n 1491<\/td>\n Special Topics in Cartography<\/td>\n <\/tr>\n
GISC<\/td>\n 2164<\/td>\n Practicum (or Field Experience) – Cartography<\/td>\n <\/tr>\n
GISC<\/td>\n 2250<\/td>\n Scripting in Geographic Information Systems (GIS)<\/td>\n <\/tr>\n
GISC<\/td>\n 2401<\/td>\n \n Data Acquisition & Analysis in Geographic Information Systems (GIS)\n <\/td>\n <\/tr>\n
GISC<\/td>\n 2420<\/td>\n Intermediate Geographic Information Systems (GIS)<\/td>\n <\/tr>\n
GRPH<\/td>\n 1359<\/td>\n Vector Graphics for Production<\/td>\n <\/tr>\n
GRPH<\/td>\n 2371<\/td>\n Vector Graphics II<\/td>\n <\/tr>\n
IMED<\/td>\n 1070<\/td>\n Adobe Illustrator<\/td>\n <\/tr>\n
IMED<\/td>\n 1071<\/td>\n Adobe InDesign<\/td>\n <\/tr>\n
IMED<\/td>\n 2388<\/td>\n Internship – Digital Communication & Media\/Multimedia<\/td>\n <\/tr>\n
ITNW<\/td>\n 1077<\/td>\n Photoshop<\/td>\n <\/tr>\n
ITNW<\/td>\n 1078<\/td>\n UX Design<\/td>\n <\/tr>\n
ITNW<\/td>\n 1337<\/td>\n Introduction to the Internet<\/td>\n <\/tr>\n
JLRY<\/td>\n 1401<\/td>\n Jewelry Techniques I<\/td>\n <\/tr>\n
JLRY<\/td>\n 1402<\/td>\n Jewelry Techniques II<\/td>\n <\/tr>\n
JLRY<\/td>\n 1409<\/td>\n Casting I<\/td>\n <\/tr>\n
JLRY<\/td>\n 1417<\/td>\n Applied Jewelry Practices<\/td>\n <\/tr>\n
JLRY<\/td>\n 1441<\/td>\n Stone Setting I<\/td>\n <\/tr>\n
JLRY<\/td>\n 1442<\/td>\n Stone Setting II<\/td>\n <\/tr>\n
JLRY<\/td>\n 1448<\/td>\n Jewelry Repair\/Fabrication I<\/td>\n <\/tr>\n
JLRY<\/td>\n 1471<\/td>\n \n Introduction to Computer Aided Design & Manufacture for Jewelry\n <\/td>\n <\/tr>\n
JLRY<\/td>\n 1472<\/td>\n Drawing for Jewelry Design<\/td>\n <\/tr>\n
JLRY<\/td>\n 1473<\/td>\n Business Practices for Artisans<\/td>\n <\/tr>\n
JLRY<\/td>\n 1474<\/td>\n Metal Forming for Jewelry<\/td>\n <\/tr>\n
JLRY<\/td>\n 1475<\/td>\n Introduction to Metal Engraving<\/td>\n <\/tr>\n
JLRY<\/td>\n 1476<\/td>\n Wax Modeling for Jewelry<\/td>\n <\/tr>\n
JLRY<\/td>\n 2433<\/td>\n Casting II<\/td>\n <\/tr>\n
JLRY<\/td>\n 2435<\/td>\n Precious Metals I<\/td>\n <\/tr>\n
JLRY<\/td>\n 2436<\/td>\n Precious Metals II<\/td>\n <\/tr>\n
JLRY<\/td>\n 2470<\/td>\n Chasing & Repoussage<\/td>\n <\/tr>\n
JLRY<\/td>\n 2471<\/td>\n Enameling<\/td>\n <\/tr>\n
MCHN<\/td>\n 1426<\/td>\n Introduction to Computer-Aided Manufacturing (CAM)<\/td>\n <\/tr>\n
MCHN<\/td>\n 2438<\/td>\n Advanced Computer-Aided Manufacturing<\/td>\n <\/tr>\n
MOTG<\/td>\n 1472<\/td>\n Design & Creation of Games II<\/td>\n <\/tr>\n
MOTG<\/td>\n 1473<\/td>\n Motion Graphics II<\/td>\n <\/tr>\n
MOTG<\/td>\n 1474<\/td>\n Motion Design Concepts<\/td>\n <\/tr>\n
MOTG<\/td>\n 1475<\/td>\n Introduction to Motion Graphics, Animation, & Compositing<\/td>\n <\/tr>\n
MOTG<\/td>\n 1476<\/td>\n Design for Motion I<\/td>\n <\/tr>\n
MOTG<\/td>\n 2371<\/td>\n Motion Graphics II<\/td>\n <\/tr>\n
MOTG<\/td>\n 2372<\/td>\n Motion Graphics Project<\/td>\n <\/tr>\n
MOTG<\/td>\n 2470<\/td>\n 3D for Motion Graphics<\/td>\n <\/tr>\n
MOTG<\/td>\n 2474<\/td>\n Visual Effects<\/td>\n <\/tr>\n
MRKG<\/td>\n 2381<\/td>\n Cooperative Education – Marketing\/Marketing Management, General<\/td>\n <\/tr>\n
MUSB<\/td>\n 2302<\/td>\n Performance & Promotion for Independent Artists I<\/td>\n <\/tr>\n
MUSI<\/td>\n 1310<\/td>\n American Music<\/td>\n <\/tr>\n
PHTC<\/td>\n 1000<\/td>\n Photo Digital Imaging I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1011<\/td>\n Fundamentals of Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 1274<\/td>\n Directed Study Year One Camera & Digital Darkroom<\/td>\n <\/tr>\n
PHTC<\/td>\n 1300<\/td>\n Photo Digital Imaging I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1302<\/td>\n Photographic Lab Techniques<\/td>\n <\/tr>\n
PHTC<\/td>\n 1311<\/td>\n Fundamentals of Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 1313<\/td>\n History of Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 1340<\/td>\n Photographic Retouching I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1341<\/td>\n Color Photography I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1342<\/td>\n Photographic Retouching II<\/td>\n <\/tr>\n
PHTC<\/td>\n 1343<\/td>\n Expressive Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 1345<\/td>\n Illustrative Photography I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1347<\/td>\n Landscape Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 1351<\/td>\n Photojournalism I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1353<\/td>\n Portraiture I<\/td>\n <\/tr>\n
PHTC<\/td>\n 1371<\/td>\n Intro to Visual Literacy<\/td>\n <\/tr>\n
PHTC<\/td>\n 2274<\/td>\n Directed Study Year Two Camera & Digital Darkroom<\/td>\n <\/tr>\n
PHTC<\/td>\n 2275<\/td>\n Studio & Location Production<\/td>\n <\/tr>\n
PHTC<\/td>\n 2301<\/td>\n Intermediate Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 2308<\/td>\n Wedding Photography<\/td>\n <\/tr>\n
PHTC<\/td>\n 2309<\/td>\n Location Portraiture<\/td>\n <\/tr>\n
PHTC<\/td>\n 2340<\/td>\n Photographic Studio Management<\/td>\n <\/tr>\n
PHTC<\/td>\n 2341<\/td>\n Color Photography II<\/td>\n <\/tr>\n
PHTC<\/td>\n 2343<\/td>\n Portfolio Development<\/td>\n <\/tr>\n
PHTC<\/td>\n 2345<\/td>\n Illustrative Photography II<\/td>\n <\/tr>\n
PHTC<\/td>\n 2431<\/td>\n Architectural Photography<\/td>\n <\/tr>\n
PHTX<\/td>\n 3014<\/td>\n Adobe Lightroom Photgraphy Workshop<\/td>\n <\/tr>\n
PHTX<\/td>\n 3018<\/td>\n Photoshop for Photographers<\/td>\n <\/tr>\n
POFI<\/td>\n 1341<\/td>\n Computer Applications II: Web Design Basics<\/td>\n <\/tr>\n
RTVB<\/td>\n 1305<\/td>\n Introduction to Television Technology: Media Production<\/td>\n <\/tr>\n
RTVB<\/td>\n 1309<\/td>\n Audio Production I: Audio Podcasting<\/td>\n <\/tr>\n
RTVB<\/td>\n 1321<\/td>\n TV\/Video Field Production<\/td>\n <\/tr>\n
RTVB<\/td>\n 1329<\/td>\n Scriptwriting<\/td>\n <\/tr>\n
RTVB<\/td>\n 1347<\/td>\n Audio Production II: Video Podcasting<\/td>\n <\/tr>\n
RTVB<\/td>\n 2330<\/td>\n Film & Video Editing<\/td>\n <\/tr>\n
RTVB<\/td>\n 2331<\/td>\n Audio Production III: Portfolio<\/td>\n <\/tr>\n
RTVB<\/td>\n 2340<\/td>\n Portfolio Development<\/td>\n <\/tr>\n
RTVB<\/td>\n 2347<\/td>\n Digital Media Business Management<\/td>\n <\/tr>\n
RTVB<\/td>\n 2351<\/td>\n Program Development for Radio & TV: Interactive<\/td>\n <\/tr>\n
RTVB<\/td>\n 2355<\/td>\n TV\/Video Production Workshop II<\/td>\n <\/tr>\n
RTVB<\/td>\n 2388<\/td>\n \n Internship – Radio & Television Broadcasting Technology\/Technician\n <\/td>\n <\/tr>\n
SPCH<\/td>\n 1311<\/td>\n Introduction to Speech Communication<\/td>\n <\/tr>\n
SPCH<\/td>\n 1315<\/td>\n Public Speaking<\/td>\n <\/tr>\n
SPCH<\/td>\n 1321<\/td>\n Business & Professional Communication<\/td>\n <\/tr>\n
UXUI<\/td>\n 1370<\/td>\n Survey of User Experience Design<\/td>\n <\/tr>\n
UXUI<\/td>\n 1371<\/td>\n Visual Design<\/td>\n <\/tr>\n
UXUI<\/td>\n 1372<\/td>\n User Interface Design<\/td>\n <\/tr>\n
UXUI<\/td>\n 1373<\/td>\n Responsive Design 1<\/td>\n <\/tr>\n
UXUI<\/td>\n 1374<\/td>\n Introduction to UX Tools<\/td>\n <\/tr>\n
UXUI<\/td>\n 1376<\/td>\n Information Architecture<\/td>\n <\/tr>\n
UXUI<\/td>\n 2279<\/td>\n Portfolio Development<\/td>\n <\/tr>\n
UXUI<\/td>\n 2370<\/td>\n UX Writing<\/td>\n <\/tr>\n
UXUI<\/td>\n 2371<\/td>\n Design Research 2<\/td>\n <\/tr>\n
UXUI<\/td>\n 2372<\/td>\n User Interface Design 2<\/td>\n <\/tr>\n
UXUI<\/td>\n 2374<\/td>\n UX Career Lab<\/td>\n <\/tr>\n
UXUI<\/td>\n 2376<\/td>\n Design Research<\/td>\n <\/tr>\n
UXUI<\/td>\n 2377<\/td>\n Interaction Design<\/td>\n <\/tr>\n
UXUI<\/td>\n 2378<\/td>\n Product Design<\/td>\n <\/tr>\n
UXUI<\/td>\n 2379<\/td>\n Applied UX Lab<\/td>\n <\/tr>\n
WLDG<\/td>\n 1401<\/td>\n Metalsmithing<\/td>\n <\/tr>\n
WLDG<\/td>\n 1405<\/td>\n Art Metals<\/td>\n <\/tr>\n
WLDG<\/td>\n 1413<\/td>\n Introduction to Blueprint Reading for Welders<\/td>\n <\/tr>\n
WLDG<\/td>\n 1417<\/td>\n Introduction to Layout & Fabrication<\/td>\n <\/tr>\n
WLDG<\/td>\n 1453<\/td>\n Intermediate Layout & Fabrication<\/td>\n <\/tr>\n
WLDG<\/td>\n 2431<\/td>\n Advanced Blueprint Interpretation & Cost Analysis<\/td>\n <\/tr>\n
WLDG<\/td>\n 2435<\/td>\n Advanced Layout & Fabrication<\/td>\n <\/tr>\n
WLDG<\/td>\n 2440<\/td>\n Advanced Metal Sculpture<\/td>\n <\/tr>\n
WLDG<\/td>\n 2441<\/td>\n Power Hammer<\/td>\n <\/tr>\n
WLDG<\/td>\n 2478<\/td>\n Advanced Metalsmithing<\/td>\n <\/tr>\n <\/tbody>\n<\/table>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Prefix Course Number Course Title ABDR 1301 Auto Body Repair & Repainting ABDR 1307 Auto Body Welding ABDR 1315 Vehicle Trim & Hardware ABDR 1419 Basic Metal Repair ABDR 1431 Basic Refinishing ABDR 1441 Structural Analysis & Damage Repair I ABDR 1442 Structural Analysis & Damage Repair II ABDR 1449 Automotive Plastic and Sheet Molded […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-116","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/pages\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":0,"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/pages\/116\/revisions"}],"wp:attachment":[{"href":"https:\/\/instruction.austincc.edu\/adobe\/wp-json\/wp\/v2\/media?parent=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}